Nancy Murphy / Writer

writings and performances by Nancy Murphy

Myrtle Avenue


I remember: Late night
summer games, stippled sunlight
between apple blossoms,
our skin fresh
as sudden snowfall in May.

Train whistles at night–
Invitations to leave.

Today’s a clear autumn day in Troy, NY,
I’m strolling down Myrtle to number 23.

How did I forget the sound of these birds?
Maybe they don’t want to be remembered;
they’re so briefly here.

What if our old house doesn’t know me
anymore, or what if

it regrets us?
Our big messy family.
This house, so well-kept now.

Why does it seem like I was never here?
Memories make us too heavy to fly–
we are all time-travelers,
with pockets full of plums.

I look up at the decorative scrolls
outside the attic. They still resemble
smiling faces.

This was our home for a long while–
tin-ceilinged kitchen, bay
window a perfect fit for the Christmas
tree Dad cut down every year
at a farm outside of town.

My bedroom window
in the upstairs back corner.

The Dutch Elm tree
that overlooked it, long gone.
Too the wide-striped wallpaper
sprinkled with violets.

I can still see Mom on a ladder, carefully
measuring, cutting, aligning
the repeating patterns,
then brushing on wet glue.

I feel a sudden longing for her to be here, now.
The way everything collapses under me, again.

It’s always the same dream.
(I need to know who to blame.)

I thought I had this at least—
that she was still alive
in the past.
But here I am, at childhood’s door,
empty handed. I want

to believe some tiny molecules
of her breath still tumble
with the dust and sunlight

in the kitchen,
at the sink,
water running,
the window, open.


 Jackdaw Review, October 2025


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The Fallen


The tender tumbling failure of the fallen
tree, immovable, silent, roots exposed
like insides, like a lifted skirt.
A surrender of the reaching for sky,
now earthbound, rotting. Yet a death
bed offering of its body for the joy
of young greens that sing along
its split limbs, for the urgency
of ants and beetles that shelter
under its jumble of coffee colored
leaves and blackening bark. How
can a living thing give up so easily
its aliveness? Why doesn’t it dig in deeper,
lean into oncoming winds, dodge summer
lightning? I am doing everything I can
to not die, and yet I too am the deadening
body, the darkening daylight, the reluctant
wanderer. Walking through the forest,
I see the live and dead things in accord,
there is not one without the other.
Here, the dead are not ashamed to be dead.


 Jackdaw Review, October 2025


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Barrington Avenue, Near Sunset


You ask now how I once
thought of you?
As if you owned my answer.
I could live forever
listening to the bamboo
trees whispering
outside my bedroom.
The timbre of your voice
unhinging me.
Then the path where you never
saw your shadow.
I felt your heaviness, how
you scorned yourself.
Jasmine at night,
a thicket blinking back.
Its perfume floating up,
lingering,
opening me only
to leave me broken.
And not just you.
It happened over and over.
Sometimes so quick
as to be imagined.
A moment can be the sum of a life.
Everything you said when you
touched me
electrified me.
Hollow space left behind.


 Jackdaw Review, October 2025


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Duende


It’s like Plaza Mayor in Madrid in May
erupting into red flowers for San Isidro.

Like a tree shaped promise shattering in the palm
            of your hands.

Like caramel gelato made from all your childhood tears.

Like blood from your heart spilling all over
            your white sofa.

Like knowing you should never buy a white sofa
            but will again.

Like hoping the blood never comes out.

Or staying up til dawn to see fireworks on Mars,
            then falling asleep right before they start.

Like meeting your daughter’s fiancé and feeling bereft
            that you never had a son.

Like helping the moon give birth to a sun.

Or playing a grand piano with your lover’s hands.

Like lightning striking the same spot over and over again.

Like talking to God for free on Whatsapp.

Like the last snowflake of your life melting
            in your wine glass.

And the way cool water feels wetter when you’re naked.

Like dining blindfolded in Big Sur and crying because
            you have missed so much of what is delicious.

Like eating wild boar ribs with just your eyes.

Like watching the pink-dusted Taj Mahal move farther
            away when you run towards it.

Or praying that two stars will collide even if it means
            the debris could be deadly.

Like wanting to drown if it meant you could move like that.

Like trying to drown because you can’t and never will.

Like drowning in Moorish cante jondo and palmas as
            intricate as the algorithm of lust.

Lost––in the way the dancers ignore the sweat
            on his upper lip,

            the strands of her dark hair that loosen
                        from her turnings, dampen her brow.

The way his bolero jacket is teased on and off
            as her ruffled skirt rises and falls.

How the Spanish guitar knows all my words for yes.


 Schuylkill Valley Journal Issue 61, Fall/Winter 2026


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Wordlessly


Let me wash you awake. 

Let rain dissolve our horses. 
(They seem to expect it,          the way they stand.)

Let solar flares roil, purify us. 

My mantra—march only forward. 
Do not surrender to the tragic 
kiss.     Feel 

the ache of the oceans,
of the valleys. 

                        All of us          without you. 

Oh crayon,  the color of celadon,
cry me a new moon.

Outline where I refuse            to end.  Press
hard.

Why not leave the scattered pebbles 
where we found them?

Let someone else 
collect them, arrange them again

into something honeyed.


 Schuylkill Valley Journal Issue 61, Fall/Winter 2026


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Nectar


What I want is not hope but ghosts.
Winged things from a before time.

I am falling and I am not falling.
It’s all in the angle of the sun.

There is no word for all the sounds
of the sad heart.

There are days when my feet step
over the debris of a long life.

An ache in the right hip, the shoulders,
the pointer finger. These arms.
They ache for something, 

I must not collapse like the dark star.

I want morning but I don’t want to
get out of bed.
Maybe I just have the blues,

the blahs, the but whys,
the butter of longing.

Outside my window, a hummingbird
shapes bits of dust to make
a nest, warms her eggs.

Then feeds the newly hatched
with her long beak. Their open
mouths eager, hungry.

I want that kind of sweetness,
that nectar.

Look, the nest is empty today.
The birds have fledged.

The mother just hums.


 Altadena Poetry Review 2025 Anthology


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When Love Comes to Town


I’ll be in the candlelit bath, trying to forget
how I lost my watch that day by letting it slip
into muddy waters as we sat by the edge
of the lake. It was as if I wanted it
to drop. Time is a construct, you said.

When Love comes to town the second time,
he’ll wander the streets looking for me.
But it’s been too long since I fell for that
bleeding heart business. I’ll hurry home,
keys in hand, fingers spread. Women
learn early how anything can be a weapon.

When Love comes to town again,
the last drops of the sapphire day will color
the incoming night sky. The city will darken
like a prison wall. Love will dance
in the loneliness of the empty streets,
pulsate to her own soft soundtrack.
Love is patient, love is kind.

Love, when you come to town the last time,
you’re faceless, timeless, omnipresent.
A little sad too. We’ve often abandoned
you for lust, laziness or hopeless longing.
But nothing compares to Love!
How you warm us like a sun, turn us
toward each other to welcome the dawn.


 Telephone 2025


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The 2021 Pantone Color of the Year Was Dual: ULTIMATE GRAY + ILLUMINATING


They said it was a marriage of color.
They said it was a message of strength & hopefulness.
They said it’s good to push two shades close together.
               They didn’t say that illumination makes the gray grayer.
               They didn’t say shadows make the sun brighter.
               They didn’t say eventually all paint peels.
                             (They didn’t need to put ultimate in front of gray.)

They never asked what was most valuable to us. They never asked
               how much coverage we needed.

I would have said gray dusk is not uplifting.
I would have said sunlight hurts my eyes after tears.
               I would have said I lied only when I had to.
               To avoid staining my hands, I would have done anything.
                             I never would have dropped that match so close to him.


 Anacapa Review, September 1, 2025


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Unsung


“Perhaps…every song has an unsung third stanza, something brutal
snaking underneath us as we blindly sing.” — from Ada Limon’s “Another Anthem”

Where do secrets lie? Truth hides, sometimes
out in the open, like when I pretend to know how
to eat a mango.

Is the third stanza unsung or do we deny
singing it?

The tea was too strong today, and yet I sipped.
That is how it starts. We sip and say nothing.
We listen to the sound of jets overhead
and fail to think of bombs.
I have never heard a gunshot but I expect to.

I expect everything. I am waiting
for everything.

These days there is a flatness like a Sunday
morning with no Monday in sight.

What if the third stanza of every song is the secret
of the universe, that illusive theory of everything?
Like a final crossword clue that makes the
puzzle pop into place.

But where does completion get us?

I am remembering the taste of that mango, how moist
in my mouth, how wildly sweet, how I tore into it
letting juices run to my elbows while I stood at the sink
not caring if I was viewed. How I held the pit
on my tongue until we were both spent.


 Cultural Daily, June 15, 2025


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What Is Held


My mother was a woven basket,
carrying warm laundry

from the back hall dryer.
Expanding and narrowing

for whatever we needed—
Towels, oranges, encouragement.

Multicolored stripes crisscrossed
her body like a lifeline that lost

its way home. Sides folding in
on themselves, the ways things fail.

The narrow opening at the top.
Perfect urn for ashes. I didn’t want that

Catholic wake with her cold sleeping
body. But I wasn’t there.

I had my own basket, in it a tiny infant.
When my mother’s basket broke,

I should have gone home, kept her
alive. I’m telling you, I could have.

Her final Instructions—
I should not come back

for the funeral. The funeral.
She knew. What basket holds

that knowing? What a cruel choice
I had: Save mother or daughter.

But my mother decided, fed me
from that last basket of bread.

I only had to swallow
like a baby bird.


 Cultural Daily, June 15, 2025


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